Like many great writers George Orwell spent quite a bit of time talking about, and writing about, writing. Orwell lovers who also write have probably ran across this before ---
“A scrupulous writer, in every sentence that he writes, will
ask himself at least four questions, thus:
1. What am I trying to say?
2. What words will express it?
3. What image or idiom will make it clearer?
4. Is this image fresh enough to have an effect?”
So with that in mind I thought I would take a random, and this is random, short paragraph instead of a single sentence, from a work in progress. With this particular project, a modern day western, I am about 30,000 words in. Here goes.
Detective Ron Hafner, Chief Holliday’s only plain clothes officer,
had the site cordoned off with yellow crime scene tape before seven AM. Hafner
and Holliday paced around the body, measuring, looking carefully at everything,
Hafner taking photos. Holliday stopped for a few moments and smelled the air.
He reminded me of a scruffy Calvary scout from some late night black and white
smelling the air for buffalo, horses or the enemy. I made a mental note to ask
him what in the hell he thought he could smell out there. As I contemplated
sniffing the air myself, the Pronghorn Flats ambulance arrived with sirens
screaming.
“Shut off those lights and
turn that dammed siren off, we don’t need to hurry with this guy,” Holliday
shouted at the two EMT’s as they jumped from the ambulance.
Now let’s look at Orwell’s four steps and plug them into my few sentences.
Step 1. What am I trying to say? – In this case
I am still introducing three of the main characters, the Sheriff, his deputy
and the narrator, the novels protagonist.
Step 2. What words will express it? Tougher
question. I am trying to play with a bit of small town police work, efficient but
small town.Step 3. What image or idiom
will make it clearer? I like the picture I have painted, might be a bit
prejudiced here.Step 4. Is this image fresh
enough to have an effect? They are looking at a fresh dead guy, should be
fresh enough.
Not sure anyone today will take the time to look
at each sentence this way – takes too much time. Writing today often includes
deadlines, and deadlines frequently mean the closer it is, the faster the
writing becomes. Have any of you read a book you loved, for the first half, and then felt like the rest was rushed to get
to the conclusion? Seems I find way too many of these.
If the writing is too bad to fix - put it to a good use |
2 comments:
I think you done good. I find the "rush" coming on in the longer books, or maybe they are just filing in space.
Hate reading what feels like filling space material. I always liked what Elmore Leonard said - Leave out the boring stuff.
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